*Copyright H.M. Jones, 2017. All rights reserved. No reproduction without consent of author.
Jay & Silent Bob’s Tattoo Parlor
February 28th 2016
Mel flinched as the needle stabbed quickly in and out of the sensitive, thin skin around her wrist but gave no other sign that she was in pain. Jay noticed the nearly indiscernible tilt of her eye, however, and smiled.
“Dude, I think that’s the first time you’ve ever looked like you were a little uncomfortable. You know the reason I have you in the chair up front is because it tricks our clients into thinking this shit doesn’t hurt.” Hay laughed and shook his head. “Seriously, I thought you were made of steal.”
Mel laughed. “Jay, I’m a woman. I’ve had a human fall out from inside of me without any medication. Women have to be tougher than men, or the world would be sorely lacking in people.”
“No way. I’ve had plenty men and women tear up under the gun. You just lack basic nerve endings.”
They both laughed. But Mel shook her head. “Or I’ve just known real pain.”
She immediately wished she hadn’t said it. Suddenly, her usually rigid exterior started to crumble, water she hated to shed sat just inside her lids. Her throat was thick with grief. She closed her eyes and swallowed hard, pushing it away.
No, you can’t cry right now, Mel. Not in front of the guys. You can cry at home.
The buzz of the gun, the pinpricks of pain stopped momentarily. “You wanna talk about it?”
Jay motioned with a hand covered in black, smiling skulls towards the tattoo he was outlining. It was a sky full of stars cut by a baseball with a meteor’s tail. The baseball was inked with her brother’s baseball number, unlucky 13. And he had been unlucky, in the end.
She couldn’t trust her voice, so she just shook her head.
Jay continued tattooing, but quietly murmured, “Why number 13, if you don’t mind me asking?”
Mel closed her eyes and lay her head against the medical paper covering the soft leather of the tattoo chair. It felt strange against her newly buzzed head. She’d always had much more hair when she visited before—black, thick strands falling in soft cascades around her waist. All gone now. She rubbed her free hand through the soft spikes of her grief made tangible.
“It was my brother’s baseball number. He loved baseball, and he was great at it.”
Baseball was the one thing he never seemed to tire of. He tired of her, especially her “judgements” about his addiction. He tired of going to work, paying his bills. But he never tired of baseball. If he was healthy, he was playing baseball.
She hated putting his life, her words about him, in past tense. But it was easier than saying the words she couldn’t bring herself to utter aloud—that he was forever gone.
“Shit, I’m sorry, Mel. It was recent then? You were just talking about having dinner with him last month.”
Mel nodded, her eyes still closed. “We had dinner. He wanted money, like usual. He said it was for rent. I knew it was for drugs. I gave it to him, anyway.”
Was it my fault? Was he killed buying dope with the money I gave him? Was he killed for the money another addict wanted?
She’d always wonder, and would probably never know the answer.
Mel shook her head, but didn’t explain further. The buzz of the gun resumed.
“Sorry, you said you didn’t want to talk about it. I can respect that.”
He put his head down to his work, and she let out a broken sigh before replying. “It’s okay. It’s just still too much.”
Jay nodded over her arm, his forehead wrinkled in worry. The fact that he was obviously worried about her was one of the reasons she came back, time and again, to this shop. The guys could say some idiotic things, but she liked them anyway. They were rough around the edges, but they cared about doing their jobs right and Jay was a good friend.
She leaned back and closed her eyes as Jay made progress on her arm. She’d never say it out loud, but the in and out of the needle was one of her favorite feelings. She realized that probably made her sound like a sicko, but she often felt like she didn’t experience sensation the way others did.
She didn’t process pain like others, she was sure of that. Was it because she’d suffered so much at such a young age—assault, the loss of both of her parents, the loss of her brother—that this kind of pain was almost pleasant? Relaxing, even? One thing was for sure, this feeling didn’t hold a candle to what was bottled up inside her, the volcano of emotion that was almost at the bursting point.
She didn’t know what to do with it all, so she took a few deep breaths, closed her eyes and focused on the way the needles felt as they danced across her skin. She pictured herself as a canvas and the needles as a brush. She imagined them remaking her entirely. She knew to others, the ink probably made her look more worn, unapproachable, dingy. But ink made her feel beautiful.
Hours later, the sun outside the shop window had fallen and the buzz of Jay’s gun was silent. He scrubbed her arm with a blue shop towel soaked in the sweet aroma of witch hazel. He slathered a layer of Vaseline that smelled like hazelnut latte over the raw skin on her arm, working it into the pores.
“You know the drill. Keep it clean. Keep it moisturized. Don’t scratch it. You’re like fucking wolverine, so it’ll probably heal up in a couple days.” Jay smiled out of the corner of his mouth and Mel laughed. Her skin did heal freakishly fast. Probably because it was used to the process.
“You got it. What do I owe you?” She opened her Star Wars pocket book and felt a twinge of grief stab at her heart. James bought it for her last Christmas.
Jay watched her carefully. “Three hundred.”
“Bull. What do I really owe you? I’ve been here for five hours.” She raised a suspicious eyebrow at him.
He sighed. “Just let me be fucking nice. I know you’ll be back. I feel like I get most of your money, eventually, so just let me be nice. Consider it a donation. I know you probably have shit to take care of, what with all that’s happened.”
Mel crossed her arms, “Yet I still came in here and spent money, so I must have enough for both. Don’t worry about what I have to take care of. You have a family to care for, too.”
“Three hundred.” The snake on Jay’s left bicep flexed as he crossed his arms in stubborn determination.
She rolled her eyes and gave him four-fifty. He never counted what she gave him anyway, so he wouldn’t know until it was too late.
“Thanks, Mel. I’ll see you soon, okay? You said I could do a phoenix on your back and you know I’m up for that.”
Jay wrapped Mel in a hug that was more fervent than his usual lazy, half-armed embrace. He towered over her long frame by a good five inches, so that his hug felt like it enveloped her entirely. It was nice. He stretched his long arms in the air, after she broke their embrace. His back cracked so loudly it startled her.
“Jeez, man, you need to go to a chiropractor.”
Jay patted his pocket, “And now I can. Or I can buy some new ink for myself.”
She shook her head and turned to go, just as the red shop door opened. The bell above the door clanged, and a stocky man walked in. She stared open-mouthed at the person framed in the peeling red paint of the shop door. She drank in the familiar bushy brows, the muddy-water eyes, the dark, full lips with a small mole just above them on the right side.
Her heart raced, and her head swam in a feeling so foreign to her she couldn’t place it. Elation? Is this what pure elation feels like?
“James!” Her exclamation was half-awed whisper and half-shout.
James looked confused and embarrassed, though she didn’t understand why. Why was he acting so strangely around his own sister? It hit her like a baseball to the brain.
James is dead. He died last week. He was shot in the heart by a man who didn’t have one, so it couldn’t be beating. He can’t be moving and breathing without that beat, can’t be whole and standing in front of you. This is not James.
“I’m sorry,” James’ doppleganger mouthed, his eyes wide, “I think you have the wrong person.”
Mel’s hard shell fell apart. It was almost palpable, the way she crumbled. It started with her face—crunched in despair—and ended at her fingertips which trembled so badly she dropped her wallet. Money and cards spilled onto the tiled floor.
The young man who was not James bent down and gathered the handful of twenties off the floor, while Mel shook and stared at her brother’s double. He looked so much like him that her body ached to hold him to her, to protect him from a fate she could not protect him from before. She didn’t even bend to retrieve the wallet he offered her from his position on the floor.
The way his right brow lifted just slightly, the way James’ did when he was anxious, sent her into hysterics. Tears streamed down her face, which she covered with both hands.
Jay put his arm around Mel. “Mel, what’s wrong?! Here, come sit down.” He guided her to the worn-down, puke green love seat in the waiting area of the shop.
He took her wallet from the man with his free hand, thanking him. The young man’s face was crinkled in concern, wrinkling above his nose just the way James’ did.
Mel tried to speak, attempted to stop the cascade of tears running down her face, but it was all in vain. Once the volcano erupted, it had to run its course.
The young man grew more and more concerned with every sob that wracked her body. “I’m sorry, miss. I counted the money. Two-hundred and fifty. It’s all there. You can count. I’m sorry. I didn’t mean to startle you.”
But his voice was what finally calmed her. It was not the cocky tenor she grew up with. It didn’t have the lilt of self-confidence James’ had. It was a bit higher, shy and uncertain.
And, anyway, James would’ve pocketed at least sixty of those twenties and this guy didn’t even try. It’s not James, Mel. Get ahold of yourself.
“No, I’m sorry. I am just not myself.” She stood, swiping her face with an impatient sleeve. “I’m sorry, Jay, for making such a scene. I’m sorry to you, too. It’s not your fault.”
She ran from the shop before Jay could stop her. A paper clipping escaped the wallet she snatched from his hands. It hung in the air for a moment before drifting on the chilled breeze from the door right into Jay’s path. He plucked it from the air and gazed into a picture that looked exactly like the young man frowning out the window at Mel’s fleeing back. The only difference was that the man before him was alive.
Jay read the obituary to himself, but he could see the young man turn slightly, listening:
James A. Patterson was killed Feb. 2nd 2016. He is survived by his sister Melany B. Patterson. He is preceded in death by his father James Sr. and mother Edna. He was the best baseball player in Clinton county. He will be missed by many a fan, coach and player in the Titan league.
“Dude, you look exactly like him. Like, to the T. It’s uncanny.” Jay offered the young man the picture of Mel’s brother, but he shied away from it, as if it might burn.
“I know,” was all he said before turning on his heels and ducking out of the tattoo shop, his shoulders hunched and guilty.
Teevia Rex’s Loft
February 29th 2016
Teevia closed the blinds to the blinding Chicago morning sun. His loft looked out over the Sear’s tower, which shone the sun’s rays directly into his windows first thing in the morning. He knew that most humans would think him spoiled by the fancy loft apartment with bamboo flooring, a wall of windows and modern granite counter tops, so he tried not to take it for granted.
His home planet had provided him with a very luxurious human life, by hacking into their feeble systems and creating him from nothing, with the all the necessary numbers, bank accounts and credentials attached.
He usually found his human life pleasant, his view tremendous, but was in a foul mood after last night’s run-in with the woman who was his double’s sister.
He had other reasons for closing his blinds to the sun this morning. The glare on his log box would make it hard for him to see Professor Finalog. It was time to make his weekly report home. Professor Finalog demanded weekly speaking sessions for his intergalactic students, especially when they were on travel assignments.
He clicked open his log box. It was similar enough to a human laptop that it was inconspicuous to carry around. He pushed the video com button on his log box and waited two minutes, watching the glowing “wait” orb on his screen while the lightwave connection responded. After a couple minutes, Professor Finalog’s drooping white face popped up on the screen.
“Hello in Chicago, Teevia Rex. We will speak in English, to acclimate you to using it daily. I would hate for you to slip into our language accidentally and frighten some easily spooked humans.”
The professor guffawed at his own speciest joke. Teevia wasn’t so sure all humans were easily frightened, though many of them seemed to be.
“Hello, professor. It is Feburary 28th, 2016 on the earth calendar. I am reporting to you at 6:00 a.m., Midwestern time.” Teevia rubbed the stiff stubble on his human chin, while reciting the standard log introduction.
The professor nodded as Teevia went through the motions. “Good, good. Now please tell me about anything of consequence you’ve discovered in your travels. Remember, I am most interested in hearing about advances in technologies and politics. You are entirely too interested in recounting the mundane for my taste.”
What professor Finalog thought mundane was what most of his species thought mundane—human relationships, their volatile passions. Teevia used to feel the same way. He’d come to earth to finish the work study portion of his thesis—Repetitive Animalistic Tendencies in the Human Species: The Reason Humans Have Failed to Evolve for Centuries.
Conducting research on his home planet—scouring through journals, books and papers written on humans over the span of their small existence—had confirmed his primary thesis. But his work study brought with it conflicting ideas.
Overhearing chatter in the local shops, cafes and stores often confirmed his thesis that humans failed to evolve because they couldn’t battle the instinct to praise bravado, beauty and brawn over intellect.
“Technology is fairly stagnant, though the elderly humans seem to think it moves too quickly. The bookstores and cafes are filled with elderly men and women who complain about ‘kids’ and ‘technology,’” Teevia chuckled, “It’s rather humorous, actually.”
Professor Finalog’s drooping countenance didn’t alter. “You must be careful not to get caught up in their humors, Teevia Rex. Their humors are the reason they war so often, killing each other like animals.”
Teevia stopped smiling, though inside he was still thinking about the curly, white-haired couple he’d overheard toying with their new cell phones. They grumbled, pushed the wrong buttons, then giggled when the male one accidentally took a picture up his nose.
They didn’t seem to mind all that much that they were failing to comprehend the simple technology. Instead, they played with the zoom feature of the camera, trying to see if the man’s nose hair was as white as the hair on his head. Teevia’s people would think it all a silly inferior display of animal behavior, but the way the couple had laughed, kissed, then giggled again…
“As I was saying, technology is comparatively stagnant. Most technology seems to be used for the sole purpose of vanity—taking better pictures, lying to themselves about how they look through filters that make them look younger, skinnier. Or they play games. The new fad is hunting for invisible creatures, or, rather, creatures that show up only on their phones. There doesn’t seem to be a reason for it, apart from amusement, which is the other purpose most of the created technology serves. There are a short supply of scientists and engineers who are concerned with serious problems that most of humanity seems unconcerned about—global warming, new energies, disease.”
Teevia paused for a moment, considering his words. “I would say, in this part of the world, that capitalism reigns and technology serves the frivolous. This is also an election season, and the favorite candidate on one side is…”
Teevia didn’t know what to say about the man. He searched himself for the most correct description. “He seems a lot like men of other human pasts—selfish, primarily concerned with obtaining wealth, single-minded, and angry about so many things. He is angry and frightened all the time. It’s hard to see why, as it often is. It feels like a video on repeat, like he is something that has happened to humans before.”
Teevia waited for professor Finalog to comment, but he just rubbed his jowls for a moment before saying, “But none of this interests you, Teevia?”
Teevia turned his human hand over, amazed at the lines showing his ‘age.’ “I met the sister of my body’s double, the young man whose make-up we copied. The meeting was…fraught.”
Professor Finalog’s face didn’t change. Emotional displays did not rate high with his people. They prized themselves on logic. Teevia was considered hot headed, but he was young and it was expected that he would mature.
Finally, he spoke, “It is strange that that occurred, Teevia. We placed you in Chicago because it is far enough from your DNA partner’s hometown that this would not be a problem. Perhaps our research team made a mistake. I will do some delving, and get back to you.”
Teevia was anxious to hear anything about the woman he ran into, but he didn’t want to seem eager. “It was easily rectified. She was emotional, but quickly dismissed my appearance. I’m only a ‘doppleganger’ to her.”
Professor Finalog nodded. “Yes, humans like easy explanations. Avoid the place where you met her. If that is all, I must be going. I have a conference with Melton in five minutes. Interestingly enough, he wants to discuss a similar occurrence. He claims to have met his DNA partner’s daughter yesterday. There must be a problem with our system. Meetings like this so rarely happen. I shall get back to you soon.”
Teevia promised to avoid the tattoo parlor again. His people didn’t tend to feel guilty, but he did feel a little guilty for lying to Professor Finalog.
Mt. Vernon, WA
Feb. 27th, 2016
Melton glanced over his shoulder, past the yellow bricks of processed macaroni and giant cans of chili. He couldn’t remember how he got into the heartburn aisle, or what he’d been looking for when he came into this swarming mega-store.
From the moment he’d exited his vehicle he’d been trailed by a short woman with worried eyes. He couldn’t mistake her intent. She didn’t hide the anxiety sitting just under the surface, didn’t pretend to shop. Her cart rambled behind him, its emptiness echoing as she shuffled after him, straining on tiptoe to see his face.
He didn’t know what to do. Everything about her told him that she would not give up until he acknowledged her presence, turned and faced her. His training, however, made it clear that he should do no such thing. Humans like this one—in the heat of some sort of passion—were to be avoided at all costs.
So he rambled on and threw things into his too large cart that he didn’t need—a fifty pack of baby diapers, a tub of some sort of powdered drink, enough batteries to power the entire city of Mt. Vernon—and he ignored the young woman with a determination he hoped would deter her.
It did not.
She looked around desperately, noticed an oversized bag of popcorn just out of her reach and made a show of reaching for it before sighing in an exaggerated manner.
She turned her blonde head towards Melton. “Hey, I’m sorry, but can you help me get something from this shelf here? It’s just a little too high up for me to reach.” Her voice was tense and choked, but she attempted to keep it even.
Melton saw the way she strained to see his face, as he half-turned to her. He searched his training, confused about what to do. On one hand, he thought he understood why the woman was agitated and wanted to assure her that he was not who she thought he was. On the other hand, his training suggested that he should avoid such a confrontation.
The woman craned her neck and waited for an answer, lifting herself onto the balls of her toes and falling back down, rapidly. Her entire body was a mass of anxiety. Melton turned to her, hanging his head and avoiding her eyes.
The way recognition turned to hope, and hope filled her entire face to bursting was nothing short of magnificent.
Humans are the most feeling of all beings.
The word fell uncertain and heavy around them.
This was a traveler’s worst fear, meeting his or her double’s lifemates, but Melton prided himself on his composure.
“I’m sorry. I think you’ve mistaken me for someone else.” He extended his hand, “I’m Mike Brown.”
She stared at his hand in disbelief. The hope that filled her face seconds ago visibly leaked from her, as if she were a punctured balloon. Her blue eyes began to glisten, her pink bottom lip trembled.
“Oh, gosh. I’m…uh, I…” She shied away from his outstretched hand, and he dropped it to his side. “I was just so sure you were him, but that’s stupid. Of course you’re not. I mean…he’s…” She didn’t say what he was, but Melton knew.
He’s dead. I’m not him because he’s dead.
The distraught woman raked her hands through her short hair and turned from him, leaving her cart in the aisle. Her shoulders shook as she pushed past harried shoppers. Her passion almost overcame his sensible side. She let out a high, chocked wail, and his feet moved forward automatically. Despite his years of training, his cool temperament, there was nothing more he wanted to do than apologize to the young woman, explain to her that she was not crazy, hold her as she cried.
But he remembered himself, and stayed put as she ran, trembling and sobbing, from the mega-store. He knew he was doing right by staying put. Professor Finalog would not approve of him getting tangled in human problems.
But watching her suffer and doing nothing felt wrong.
Jay & Silent Bob’s Tattoo Parlor
January 20th, 2016
It was immature of Teevia to study the appointment card the sad woman dropped from her wallet a couple weeks back. It was even more childish to come to the tattoo parlor he was supposed to be avoiding. He wanted to see the sad woman again, though it was hard to say why. Their meeting felt unfinished.
Professor Finalog found the glitch—an error in assignment programming had caused four travelers to be placed in the hometowns of their body’s doubles. It was quickly patched up. Apologies were made to the travelers, who were being moved immediately to new locations, so that they could continue their studies unhindered by awkward meetings with their DNA-double’s friends and family.
But what about the friends and family? Who would apologize to them? Were they not the ones truly suffering after such encounters? Teevia couldn’t help but wonder.
It hadn’t been awkward to meet his double’s loved one, as it had been for Melton and the other two travelers. Awkward was not the right word. Teevia didn’t know what to call the sensation that sat heavily upon his shoulders every time he remembered the way the woman’s eyes had soaked him in—as though he were everything to her—then darkened and filled when she realized that he was nothing to her.
The way her shoulder’s shook and her face crumbled played over and over in his mind. He didn’t know how to lighten the burden of that meeting, but he knew leaving wouldn’t do it.
She was walking towards him now, her spikey black head down, her eyes on her red cloth high-tops. She didn’t notice him at the corner of her favorite tattoo shop until he cleared his throat.
She looked up, and covered her mouth, horrified. “What?...”
He backed away, his hands held up. “I’m sorry. I know seeing me brought you grief last time. I don’t mean to bring you further grief. That is the last thing I want.”
Teevia was frustrated that he hadn’t better planned what to say to the woman, who was trying to locate her voice. Her mouth was moving, but no sound came out.
Finally, she found it. “It’s not your fault. You just look like somebody I lost. I don’t know how you figured out I’d be here, but you shouldn’t have bothered coming back to apologize. You didn’t do anything wrong.”
Anxiety pulled uncomfortably upon Teevia. He was not used to such a powerful emotion. It made it hard to think, to speak. “I looked at your appointment card. I apologize for prying. But I do think I did something wrong. You are sad because I look like your brother. I do look exactly like him, or almost exactly. Therefore, I caused you pain. I am sorry for that. I want you to know I am sorry for looking like him, and for making you sad.”
The woman frowned and smiled at the same time. It was the most perplexing expression Teevia’d ever witnessed. “Well, I accept your apology for the snooping. Jay told me I dropped my brother’s obituary on the way out, so you must have figured out why I lost my head. I think it’s sweet that you were concerned, but you can’t help how you look. So, please…just…just don’t worry about it, okay? I’m going to be fine. I’ll be even better if we can pretend it never happened, alright? It was more embarrassing than anything. I don’t like crying like that, and you caught me off guard…”
She studied him, her eyes narrowed and a little glassy, as though she might be overcome again. “Honestly, it’s hard to see you. It’s not your fault, but seeing his face on you makes it hard for me to get over all this.”
Teevia frowned. “I see. I shouldn’t have come. It was the wrong decision. I wanted to apologize, to make you feel better, but seeing me makes you feel worse. I…I am not always good at saying and doing the right things.”
Teevia’s head spun and his heart sank. Disappointment was a terrible feeling. He’d hoped he would make her feel better but had done the opposite.
The woman shook her head, and studied him as though he were a puzzle. “You’re nothing like James. That helps a little.”
Teevia tilted his head to the side. “What do you mean?”
“Well, first, James never was much for apologizing, even when he did wrong. Second, and no offense, you’re pretty stiff and formal. James was confident as hell, cocky even. He wasn’t stiff about anything, except maybe his drinks.” She laughed a little.
Teevia liked the sound of her laugh, so he smiled even though he didn’t understand the joke. “I suppose I am tense. I’m not good with people, I’m sorry to say. I…I guess that’s why I miscalculated and came here again. It is hard to know what to do in a situation like this. Only, I didn’t want to leave Chicago knowing that I had caused a person grief and not tried to assuage it.”
“Wait, you’re leaving? Do you not live here?” Her black eyebrows rose in alarm.
Teevia rocked from one foot to the other, anxiety causing his body to fidget. “Uh, no. That is, I was here studying, but my studies here have ended. I have research to do in another state.”
The woman’s eyes lost a little of their sparkle.
Why? Why does she look upset about me leaving? She just said it is best that she doesn’t see me.
“Oh,” she stated. “Well, this is going to sound backwards, but that’s kind of a bummer. I mean, it is hard to see someone who looks so much like James, but I can see now that you’re a very different person, and, well…I don’t know. It’s stupid.”
“What is stupid?” Teevia urged her to continue, wanting to understand the emotions that volleyed over her countenance.
“It’s hard to see you, but…it’s also really nice. I don’t know why, but just after James died, I couldn’t picture his face clearly. I’d close my eyes to see him, but his face was blurry, like a picture out of focus. After seeing you, it was different. I could see him in my mind’s eye again. I just…I was wondering if I was already forgetting him. Seeing you makes me remember the little things I don’t want to forget. Grief does weird things to your mind.”
Teevia wasn’t sure how to respond, so he just said the first thing that came to him. “I’m sorry for having the face I have and for taking it from you.”
She laughed, her brown eyes sparkling. “I am being ridiculous, aren’t I?”
Teevia knew Professor Finalog would think the woman was ridiculous, emotional, unstable, but he didn’t. Despite his upbringing and training, he was different from other beings on his planet. His insides twisted uncomfortably with a feeling he was having a hard time naming.
“I don’t think you are ridiculous. I certainly wasn’t implying that. The way you speak of your brother makes me feel…” he grasped for the perfect word. English had so many words. Which one was most correct? What was this feeling? “I guess it makes me feel a little envious.”
The woman smiled. “You don’t have any siblings?”
Teevia shook his head, “No, nor do I know anyone of whom I would speak with such admiration.”
“I don’t know if I’d say I admired him. Maybe sometimes I did, like when he was playing ball. But I loved him even when he was being awful. I don’t think you can help but love your siblings, no matter how flawed they are. I definitely can’t help but mourn him. He was all I had left.”
Her smiled failed. Teevia couldn’t help but wonder how a human could feel so many different emotions in such a short time. He shuffled from foot to foot, not knowing what a human usually did when words or silence got uncomfortable.
The woman exhaled heavily, pulled her phone from her pocket and pursed her lips, as if thinking. “I should go into the shop, or I’ll be late to my appointment. Thank you for coming back. I’ll admit that this wasn’t how I hoped my day would go, but I feel more at peace now. It was nice meeting you…uh…” she laughed, “I guess I don’t know your name. This is the most backward meeting I’ve ever had, and not just because you have my brother’s body.”
He cleared his throat uncomfortably, knowing that she couldn’t guess how close she was at the truth. He wasn’t in her brother’s body, but it was a nearly exact replica of it.
I wonder if she suspects anything. She seems bright, for a human.
“My name is Tim Ryan.”
He took her accepted hand and studied her face, but it held no suspicion. It was cheerful and kind. Smile lines showed around the corners of her mouth and eyes. She shook his hand with a grasp both confident and strong.
“I’m Melody. It’s nice and very weird to meet you, Tim.”
Teevia smiled. He couldn’t help it. Melody amused him.
Her smile faltered and her eyes held a hint of pain. “You have dimples. James did, too. It’s just…it’s uncanny, you know?”
He nodded, “Yes, I do know. Goodbye, Melody Patterson. You have an appointment to make and I have a train to catch. I hope the remainder of your days are more happy than sad.”
He turned from her, noticing how her mouth fell open, but not wanting to engage further. He’d already done and said more than he should. Professor Finalog might even cut his travel study short after this.
It was worth it. I don’t understand why, but I think this meeting was worth whatever punishment comes my way.
Mel watched as the strange, formal young man walked away, her head dizzy with questions unanswered.
I never told him my last name. How did he know it?
She soon shook the suspicion off when she remembered how he gathered her wallet from the floor of the tattoo parlor. He probably saw her ID then. She watched her brother’s doppleganger until he sulked out of view. James used to strut wherever he went, his arms wide and his head high.
Not Tim. He pushed his shoulders forward as if he were drawing in on himself. He dropped his head, as if apologizing for walking the earth. It was strange that the man who looked exactly like James could act so drastically different.
The hundreds of emotions that ping-ponged against her skull were interrupted by a familiar arm flung around her shoulder.
“You coming in or am I going to have to dock your deposit?”
Mel rolled her eyes at Jay. “Yeah right. This is a touch-up appointment. I don’t owe you shit.”
“We can change that. Let’s get in out of the cold and set you up an appointment for that phoenix.” He waggled his pierced eyebrows at her.
She chuckled and pushed Jay’s lanky frame towards the tattoo parlor’s red door. “You know what, I feel like a fucking phoenix today—like I was burned to ashes and rose from them, stronger than before.”
Jay held the shop door open for her. “I’m glad to hear it. But I hope you’re not much stronger. You already make me feel like a pussy.”
Mel’s laughter filled the shop.
Listen to this short story on Redshift Radio's Fancy Pants Gangster Sci-fi stories: HERE.
H.M. Jones is the author of three novels, two novellas and many short stories and poems. She writes for the love of it, and hopes you enjoy her work. Visit her books in the tabs above.
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I recently wrote another book (Al Ravien's Night) released it to the world, then fell flat on my face into my pillow, and wondered why I did it again. Why create a story, push myself into characters and the world, put it into the world, just to have it be ignored?
Why the endless cycle of eager inspiration, deep involvement, countless hours pouring over the page and laptop? Why the editing sessions, marketing, money into promos and spreading of what I've done, only to be met with the sound of silence? Why do I invest myself into creation? What does it do?
If I thought my friends to be readers, I might say, "To amuse those I love." Only a handful have read my work, though, so that would be a lie. To be sure, those who do are fans, are dear to me, and I thank them. But is it enough when so many others don't read beyond a facebook post? When those who do read are swamped with a deluge of books they simply cannot wade through, is it enough?
I don't know. I don't know if it's enough to create another story, maybe read by a handful, maybe read by none. But I think I do know why I do it, despite the inevitable depression it births: I love my characters, the worlds they live in, and the things that come about in their lives. I live their ups and downs with them and I treasure our time together. In other words, I am crazy. I'm not saying that facetiously. I am, in fact, not sane.I do not know what normal people feel like, why they do the things they do or why the don't do others. I only know my characters, people whose motives and lives I know from the start. Them, I understand.
And I only know me, and creating stories makes up a large part of who I am, and who I will always be. I will threaten to throw the habit away, when my anger over the silence feels to heavy, but I will be lying.
I will start awake with a plot point for that book that hit a brick wall. I will talk to my characters, animatedly, in the car, scaring the people I pass with the passion of an argument seemingly with myself. I will delve my heart into lives not real, but important to me in a way I cannot explain. And I will throw myself against my pillow, when I meet the shrugs, and wonder why I did it again.
Weeks later, I will re-meet a character, an old friend, and I will be consumed. We love the things we love. We will often act stupidly or impetuously for them. Whether we draw, paint, sing, celebrate...it is something we do not for the sense of it. The sensibility is what counts, what draws us in. It's what keeps me going. I have to remember that, every time.
I am not writing to be heard by millions, to make money or even to make friends. I am writing for the love of it. For me, that love has no end. And so, I pick up my head, my laptop and begin all over again.
H.M. Jones is the author of the NIEA finalist, B.R.A.G medallion dark fantasy, Monochrome, and its prequel, Fade to Blue. She lives in the Pacific Northwest with her husband, kids, cat, dog and chickens. She spends most of her spare time writing, reading, running or getting tattooed. You can visit her website at www.hmjones.net. Al Ravien's Night is her newest release, and she had too much fun writing it.
I am blessed to live in a community with many talented artists. One of the artists this community can and should boast about is Marvel, IDW, and Valiant comic book artist Jeffrey Veregge. Thankfully, we are both geeks, so we've gotten on well since we first met. Even more thankfully, Jeffrey is a wonderful guy who did me the great favor of speaking at Northwest Indian College (where I teach) for my Pacific Northwest Native Art History class.
We are on the modern art portion of class, right now, because I know many talented Native people currently practicing art, and I don't want my students to think of Native art all in terms of the past. Absolutely, the history of art is a huge part of the inspiration to create for members of this tribe--that cultural, ancestral tie--but it's not the only inspiration. Native art is alive and well. It is not history; though it has a long history. It is not stagnant, but varied. Jeffrey Veregee is an example of an artist who has strong ties to home, but whose art is a very real expression of his complex personhood.
The Early Stages
Jeffrey began his journey as a young geek, wearing Spock ears around the rez, even being teased for his geeky obsessions. At 23, he was thinking about a job with the FBI; he went through the arduous background checks and extensive questioning. The FBI told him that, if he was serious about a position in their ranks, college had to be in his horizon. This opened the door for Jeffrey to think about what he wanted to pursue in college. When he went over it in his head, though, the same thing kept coming up: art.
He started off at the Art Institute wanting to get into special effects or action figure design (which he did pursue for a short time), but his path took him somewhere else. Design called to him, and he had a knack for it.
"Breaking the Rules the Right Way"
Jeffrey grew up around many local artists who had a knack for design. He mentioned local elder Jake Jones (recently deceased) as someone who he looked up to. He thought about those people whose art he grew up seeing. He didn't want them to think he took shortcuts, that he didn't understand Native art. But he also wanted to break the rules a little, have his own style.
He approached Tsimshian artist David Boxley to learn more about Native design. "I wanted to break the rules the right way," he told those assembled at his talk. He combined what he learned from Boxley on Tsimshian formline and design with what he learned at the Art Institute. He refers to his work as a hybrid of graphic design and Pacific Northwest Native design elements, or "Salish Geek."
After school, he worked for 12 years at Market Works, where he was able to learn about branding and marketing. He worked his way from an intern to studio design manager, but he wasn't completely happy.
He started painting again, gave up his steady job and paycheck and took the plunge into full-time artistry. His work didn't come into the limelight over night, but through much hard work he was able to start getting it out to the world. His art was featured in sets for the Twilight movie. He won a few art contests with his mesh of Native-influenced themes and Matisse/Picasso style graphics, but he hadn't quite found his style yet.
Finding Himself in Art
Jeffrey approached a pop-art gallery in Seattle, selling his idea of "Coast Salish Star Wars." He was disappointed when his first approach to Lucas Films was passed up, but not long after he created his now extremely popular Batman and Spiderman graphics (featured, not long after, at the Seattle Art Museum).
In these designs, Jeffrey found something that spoke to his heritage and his own unique design-style. He played with formline shapes, feathers and negative and positive spaces, while also integrating stances, colors and movement that represented the nature of the heroes and stories he was designing. And the designs didn't just speak to his roots; they spoke to the world of geekdom.
Jeffrey has now done at least 100 comic book graphics/covers (IDW, Valiant and Marvel among them). He's done murals, graphics for major companies, and special designs for many a convention.
He's been chosen for several major projects this year, which I will not spoil for him in this blog post. His design for Ironman was shared and appreciated (and later worn) by Robert Downey Jr. (something that brought his proud wife to tears). He's worked with George Takei, and the daughter of Nemoy.
Currently, Veregge is working on his own comic book hero, who will be the first ever S'Klallam comic book hero to hit the world. As someone who has been privileged enough to read the early stages of this book, I have to say that I cannot wait for him to be able to bring his own book (front to back, words, design and all) to fruition. As a mother of S'Klallam children, I can only thank Jeffrey for giving them a S'Klallam hero to read.
The Roots of His Passion
Jeffrey's love of his tribe, his family and life is a big source of pride and passion. He teared up a bit when he spoke about his tribe. He said, choked up, "I'm so proud of where I'm from. I try to always say I'm Port Gamble S'Klallam. You all are the best part of what I do."
Finishing his talk, Jeffrey hit home the importance of persistence. He iterated that he only became famous when he stopped caring more about the paycheck than about doing something that brought him joy. He also cautioned those present about focusing on failure. "Don't be afraid of failure [...] We get one shot on this earth, so don't waste it. [...] Failure is a stepping stone to success," Veregge reassured the gathered students.
At the end of his talk, he joked that he wished he could tell that young, geeky kid with Spock ears, who was often teased, that he'd one day have a beautiful wife who would sit with him and watch Star Trek, that he'd be getting paid to recreate the characters he loved. Over and over again, he reiterated how blessed he felt he was, both by God and by the love of his wife, family and children, who support and cheer him on.
Veregge is certainly a talented artist, but he's also just a great human being. His work speaks for itself, but hearing his story was a joy for all those gathered, and an inspiration to those with dreams as big and obtainable as those Veregge has achieved.
Build a Whole New World
One of the most asked questions I get from both readers and fellow writers is about world building. Readers love to hate the world of Monochrome (my dark fantasy), and that truly fills my black heart with pride. But even as a writing instructor, it took time to generate an answer that was better than “Well, it just came to me.” That’s partly true, but it’s mostly a lame answer. So, eager world builders, here’s some actually helpful and honest world creation advice.
Be a Thief, Like Tamora Pierce
I’ve been stuck in the land of Tortall since I was seven. Even as an adult reading Pierce’s books to my children, I’m in awe of how real her world is. I know its corners, its people, its pitfalls. So when I met Pierce at one of her readings my first question as an aspiring writer was: “How did you make Tortall so real?”
And in her cheeky manner she retorted, “I steal a lot.” She laughed it off with everyone else and specified that she spent a lot of her time reading other good world builders and seeing what they did best. But she said it was more than that. It was about stealing from reality. She traveled a lot, experienced places outside of her own sphere, and researched the places she couldn’t travel to. So her world is tangible because it’s not far from our historical or current reality.
That made me think of my favorite world builders: Tolkien, Rowling, Lemony Snicket, George R.R. Martin. They all have that thievery in common. George R.R. Martin’s work is very Middle Ages, gritty old world. Tolkien is all mountains and wild, untamed New Zealand hillsides. Rowling’s Hogwarts is, for all it’s magic, just like middle school and high school was for so many of us, albeit with more ghosts and wand waving. Any young woman who read the Hermione yule ball scene feels me on this one. That’s high school in a nutshell—put tons of effort into looking stunning and have some young dude completely take you for granted. Lemony Snicket takes places we think we know—fishing villages plucked right out of a Dicken’s novel—and makes it his own. We can place ourselves in these worlds because they are linked to a reality we already know, even if in an offhand way.
Make it Moody
Think about the worlds that stick to the back of your mind. They have a feeling, don’t they? Labyrinth has a dark, fantastical, confounding feeling. Orwell’s Oceania feels stark, grey and heavy. It feels like the pounding of militant feet. Tatooine feels isolated, hard and hopeless. If you’re nodding along with me it’s because the writers of these places had a feeling they wanted conveyed in their world. They had emotional qualities tied up in that area and they used that mood to help guide the landscape. I’m assuming all this, of course, having never interviewed these people. But I’m also not.
When I went about creating Monochrome, I knew what I wanted people to feel when they stepped into it: afraid, uncertain, morose, desperate, and mind numbingly gloomy. I wanted to make the emotional state of depression so tangible that readers could walk through it. The authors I love gave me those feelings each time their characters stepped into a new place. When I creep into Borgin & Burkes I feel frightened and unsettled, just like Harry. But only a few blocks away I can hop into Weasleys Wizard Weezes, where hilarity and joy reign. Choose your colors, your landscape, your clothing, your lighting, and your smells based on the mood you want to convey in that place.
Map Your World
My last piece of advice is simple. Map your world out physically, even if you have no hand for artistry. Mapping out my own worlds with rough tree-like things, city-like things and little descriptions, swatches of clothing, and splashes of color, makes it more real to me.
Many of us rely on our tactile and visual senses, so play to those. If you’re handy with a computer, graph it. If you’re an artist, paint, draw or charcoal your world out. For complex worlds where clothing, housing and weaponry all need to be thought up, look up different fabrics, shoes, and textures good for certain climates. Create a collage of what your people would wear, what they’d use to hunt with (if they’d hunt at all), the colors that would be logical for their station/city/rural outpost.
Just close your eyes and settle yourself in a sturdy but comfortable chair in the Shire. Picture its lush foliage, neat gardens, sprinkled hobbit holes, pipes, vegetable fields, and full larders. It is the color of spring grass or cherry wood trimmings, is it not? It is the smell of baked ham, eggs, and apple pie for first breakfast. It is the sound of quiet merriment, the pleasant baa of sheep. Touch the heavy cotton, simply dyed. Tolkien knew his world, truly thought about the comfort of a hobbit, the hard-as-steel home for a dwarf, the graceful greenery of an elf, the heat and fire of an orc. Each place has its own colors, textures, customs, culture and personality.
Martin’s worlds are so tactile that the authors of the Feast of Ice and Fire cookbook were able to show us what the different areas would taste like. When I first took a bite of Bowls of Brown I felt like my mouth had been transported to flea bottom. Martin clearly put a great deal of precision into his mapping out, an awful lot of research and a good deal of description.
World creation is not just a few descriptors neatly placed. Good worlds reach into reality, engage your emotions and become a truly tactile experience. History, and literature can get you started, but only your own full characters and their emotional, physical and spiritual needs can complete your world.
Now, off with you. Go create!
H.M. Jones can't build much with her hands, apart from a chicken coup and bookshelves. She's not sure if this machine she's in is a backhoe or some other piece of equipment. She'll do the research if she ever needs to write about it. Visit her website at www.hmjones.net to get lost in her worlds. She's also on Twitter and Facebook. Peace out.
I wonder if Zuckerberg et. all knew what Facebook would turn into when it was created. I wonder if he knew it would be a landing spot for predators, a privacy wash, a constant mental strain, a CIA, lack of anonimity field day.
I don't know if he knew, as a kid, that's what his social media platform would become. Maybe he thought it would be more like freedom--freedom of speech, freedom of thought, etc. Maybe neither. I know, now, that he knows what it is, has gained enough incredible wealth from it to understand...so much that he doesn't really care what it will be.
I know what it has become for me--a wasteland, a place for mansplainers/racists/dickpicktators to roam free, time away from my kids, time I could have spent writing, time thinking, running, laughing...precious time. Precious and few moments are ticking away, and I don't know how long my say in this world will be. I'm already 33. I have so much I want to do and see, and I don't want to have to worry about whether people know what I'm doing and seeing in this world, what my profile pic will be. I don't want to worry about the vanity of every moment, displaying the mundane as if it were EVERYTHING, then falling down in the abysmal, the drain of knowing it is all fake.
I want to create, not remake myself into a persona made of memes, gifs and snarky sayings. So I hit delete. And Facebook reassured me that it would welcome me back with open arms, told me to send a message to my friends, let them know where I'll land. But they aren't my friends if they don't know my number.
I can't say I'll be forever gone. I'll miss pictures of my nephews and nieces, who I never get to see. I'll miss sharing my kid pics with my family. I have a job that Facebook feeds. So, the hiatus might be short, but it will be heavenly.
Because after delete I found myself signing in, muscle memory, into an account suspended. Not just one, twice or three times, but constantly, though out the day. And I was worried for my brain, a brain I thought was too smart to be programmed in that way. But it's not. I am as susceptible to vanity, anger, ignorance, ego and obsession as any human. Maybe more, as a woman with a mood disorder.
So are my kids. And I don't want them to see me fall into the zombie sleep of Facebook memes, so I let go. I'll miss some of you, but I can find you off line. Don't worry, Zuckerberg, about my leaving. You'll be fine.
Been having a hard time blogging lately. As is often the case, it is because I'm having an easier time writing my fiction, and a harder time with my moods. One form of writing normally falls to the wayside when I'm moody. But, I figured it was time to make sure people know I haven't fallen off the face of the planet.
I've been doing a few things for my health, as a writer. As most of you who write or read or compute all day know, it can be easy to fall into inactivity when you're on a roll. That's certainly been a life struggle for me. I really love outdoors, but it's hard to love to be rained on, and I live in a supremely rainy state/county. It's an acquired taste. However, I think I've found some peace with getting outdoors and being active in between my long periods of inactivity. I've even found peace with the cooling rain upon the sweat of my skin.
As many of you know, I'm bi-polar and unmedicated. I have nothing against medicating mental illnesses; I think it's an awesome idea that saves lives. I just have not found anything that makes my life easier in pill form, yet. This isn't a blog about medicating verses not medicating. This s a blog about fighting the unhealthy urges that my sometimes extreme moods engender, while also meeting my goals.
So, even though no one asked me for it, I would like to share with you the things I've been doing to be less...well, wacky.
1. Not posting as much on my personal Facebook page. I figured out most of what I posted was geared towards receiving some sort of accolade about how I looked, what I wore, what I said, etc. Sure, some of it was also cute pictures of my kids for my mom and dad. But not most of it.
It's a difficult balance between over-posting and not posting at all. I've decided that not everything I'm doing is that interesting, nor does it need someone else's approval, so I don't post about it. I still have to maintain my author pages, which is something I'm continually working on, but mostly people just want to see cute gifs/memes, geek stuff, and notification of new books on that page, so I give the people what they want and move on.
2. Working out. Yes, daily. I've decided that I was getting too heavy when it hurt to walk up a hill I used to jog up. It happens. Winter is cold and I don't want to lose my outer layer. I'm not vain enough to care about make-up, size or hair, but I don't like to think of continuing on a downward spiral and becoming too heavy to function or to maintain good health. I was becoming depressed more often, in pain more often and more irritable. When my moods get that bad (or significantly worse than my 'normal'), it's time to get back to physical activity.
So, I bet myself I'd lose weight (again, not because I think skinny is healthy, but because MY SIZE is unhealthy for me). I am doing healthywager at a slow pace. If I lose the weight, I win money. If I don't, I lose money. I'm not a team competitor, but when I say I'm going to do something, I hold myself to it. I'm already doing well on my goal, but it started slowing down, which leads to number 3.
3. I'm running. I've said before that I can't maintain a run. I'm very tall and heavy even when I'm thin. I don't have a good build for it, and my joints kind of hate it. But I started to read a pretty great marathon training book, by runner Hal Higdon, and I love it. He's the kind of runner I can get behind. He's not holding anyone to dangerous or "elite" runner status and simply wants anyone who wants to run to be able to do it--hopefully without injury.
As an avid reader, it helps to have inspiration that comes from a book. And he is inspiring; not because he's a super athlete (which he is, really), but because he's so approachable. He wants everyone to maintain their own goal, not his. To meet doable standards and to be careful and have fun doing it. I highly recommend Hal's book to any runners, but especially to novice runners wanting to do more.
For anyone interested in the half-marathon novice plan I've been doing (which I love), here it is: Hal Higdon Novice Training Program.
And here's the thing: taking advice from a knowledgeable source has helped me be a better runner, and I feel great when I'm doing it. More importantly, AFTERWARDS, I feel stellar in my head. Too tired to be manic, too rushed to be depressed. It's really been helping me even out. Which is why number 4 is so important, more important than the rest of these things:
4. I MAKE MYSELF DO THINGS I DON'T WANT TO DO. Anyone whose ever been truly depressed knows how hard it is to even shower or get out of bed. I intimately know this. I had a day like that last week. My body and mind rioted. The thought of getting out of bed made me feel physically sick. But I did it. I got out. I packed my gym clothing. I made my kid's lunches. I went to work, low energy and fake smile. And I went running at the allotted time. After my run, I didn't have to fake a smile. I felt good. I made a day that could have been abysmal bearable. I was very proud of myself. I even wrote a chapter I was supposed to write for my new book with Alesha Escobar (The Immortals Book 1, picture below).
The last year has been me forcing myself to do things that are good for me that I don't want to do--getting a job, maintaining a job and a positive attitude no matter what my head tells me to do, forcing myself to be present with my family, cooking when I just want to give up, writing when I set deadlines.
I found out something great about myself: I'm tough as nails. I CAN do most of the things my illness tells me I can't. That's a powerful feeling. I've failed, of course, but, mostly, I've won.
I didn't want to keep up with my blog this week, but I did that, too. And it wasn't for necessarily because I have people lined up to read it. It was because it was on my "to do" list, which I'm rephrasing as my "can do" list, as corny as that shit is.
Blog done. Check.
H.M.'s Coming Soon Releases:
H.M. Jones is a purveyor of whimsy and nonsense. She's comfortable in herself, even in her madness. She writes sci-fi and fantasy for the most part, with dashes of poetry and the reluctant blog. She has a Twitter page. She has a Facebook. She is surrounded by kids, a man who puts up with her, chickens, a dog, and a cat.
She also runs Madame Geek Publications, responsible for the Adela Darken graphic novels, and the forthcoming Al Ravien's Night. Check them out. She doesn't suck at writing.
I wish I was drunk all the time,
that fuzzy dimness sublime.
Alas, a sad non-drunk am I.
Sober and screaming at the sky.
Give me whiskey or beer,
Shit, I’ll take wine, my dear.
Sigh, how desperate am I.
"The 10-Step Depression Relief Workbook: A Cognitive Behavioral Therapy Approach"-A review and Discussion
About the Book and Authors:
Sarah Fader is a personal friend of mine, the founder of Stigma Fighters (an important mental health website) and woman who intimately knows depression, anxiety and living life with mental illnesses. It is thanks to her that I got the pleasure of pre-reading this fabulous workbook.
Please visit some of Sarah's Sites:
SIMON A. REGO, PsyD is a board certified cognitive behavioral psychologist with over 20 years of experience. He is the Chief Psychologist, Director of Psychology Training, and Director of the CBT Training Program at Montefiore Medical Center in New York. He is also an Associate Professor of Clinical Psychiatry and Behavioral Sciences at the Albert Einstein College of Medicine. Simon lives in New York.
A Review by Yours Truly:
As a woman whose entire life has been a series of up and down mood swings, I wish I had this book in my life much earlier. As most of you who've read my work know, I suffer from Bipolar mood swings and Bipolar depression, but I also had severe PPD with my first and second children, resulting in suicidal thoughts and self-harming actions (cutting and alcoholism).
In my deepest times of despair, I was not cognoscente enough to get the help I needed. I searched sites for relief, and got only definitions, which didn't really help. I wrote my first novel, Monochrome, during one of those time periods. Writing about my PPD was a bit of a relief, but it was also a trigger. I didn't know what to do with the feelings and thoughts I was having, and was too embarrassed to reach out. I got the feelings down, and it helped other people feel understood, but I didn't know what to do with them once they were out.
If any of this sounds familiar to you or if you are having trouble feeling "right" and "well," this Relief Workbook might just save your sanity. This book provides important definitions, sure, but it also gives the reader step-by-step activities to engage in to start dealing with the feelings/thoughts that plague depressed people. It gives the reader the tools to take positive steps in re-configuring negative thought cycles and bad habits, giving the person who suffers some power to deal with the depression plaguing them. Not feeling helpless is a huge boost for the depressed person, and this book is an enormous help in that way--it actively engages concrete positive solutions
The even cooler thing (for someone with bad insurance and little money to treat her illness) is that the depressed reader can manage the steps in this book with the help of a great friend or family member or, if they are honest with themselves, by themselves.
I could not put this nuanced guide down, and found the journaling and reflecting to be invaluable in helping me be honest with myself and understanding patterns of feeling, acting and thinking that can be changed for the better. This is a book that can be used throughout life, through the downs that may return, to gain focus and perspective. It's a five star, in my opinion.
I was given the book for review, but immediately pre-ordered my copy after reading it. I want to utilize the assistance the book offers by having it on my lap, with pen in front of me. Well done, Rego and Fader.
The Importance of Self-Help
To those of you out there who are feeling hopeless--I understand your pain and your thoughts. But, please never feel like there is no hope. If you don't try this book, try anything else to get your life back because your life IS important, no matter what your depression tells you. Be a fighter. Fight for the life you have now, and the better life you can have with work. Much love and peace to you all.
If you're suffering from thoughts of suicide, call the National Suicide Hotline: 1-800-273-8255.
Would that words could heal such a gash.
H.M Jones is the author of B.R.A.G Medallion Honor and NIEA finalist book Monochrome, its prequel Fade to Blue, the Adela Darken Graphic Novellas, Al Ravien's Night, The Immortals series, and several short stories.